With no fewer than twenty authors, the book Destins du désir , subtitl “Clinical Studies” and publish by Economica and Anthropos (Paris, 2016), makes a rich contribution to the contemporary study of modes of existence and the guises that desire takes today Desire at work .
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Certainly the Freudian and Lacanian conceptualizations are present, are referr to in the construction of the cases, these references are not absent, the authors sometimes use them to illuminate a treatment, by demonstrating a deep and solid knowlge of Freud’s work, of Lacan’s teaching, of the contemporary contribution of Jacques-Alain Miller. Enlightening presentations, in the best vein.
But this is not a collection where psychoanalytic
theory or the definitive doctrine – that there is none – of desire would be expos. More subtly, and more convincingly, it is rather mobile database what desire brings as a question, as an insight into the speaking being that we discover throughout the work.
At a time when the object a is rising to its social zenith , at a moment in civilization when surplus enjoyment is becoming hubspot and salesforce integration our fashion, at a time when the crushing of desire by enjoyment threatens, the recourse to desire proves vital.
Still in the register of psychoanalytic clinic
we are present with long-term treatments conduct in the analyst’s office, but also brief treatments offer within the framework of CPCT.
However, if the psychoanalytic clinic occupies the largest part, the panorama widens when other approaches to desire are present to us. Thus the scientist with Alan Turing, the painter with Picasso – when he tries his hand at malaysia numbers list writing, the writer with Jean Genet and Katherine Mansfield, the painter who photographs herself with Michèle Sylvander, are read in the perspective of teaching the artist, on the place he makes for desire.
Jorge Leon about the film Before we go and his cine-opera project around the email exchanges between Jacques-Alain Miller and Mitra Kadivar, as well as Mathieu Riboulet.